Torre dei Capocci
Roma · Est. 1204

Torre dei
Capocci

A medieval monument in the heart of Rome, home to art, history and craftsmanship

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History
Detail of the Torre dei Capocci

A medieval tower
in the heart of Rome

At the centre of Piazza San Martino ai Monti, standing apart from its original medieval urban setting, rises the tower known as the Torre dei Capocci. From the early twentieth century onwards, historians have attributed its construction to Giovanni Capocci, who died in 1215, on the basis of a passage from the chronicle of the life of Pope Innocent III (1198–1216).

Between 1204 and 1208 Rome was the stage of clashes that set the pope and his family against the Capocci and the Roman people, with the territory between the Quirinal, Oppian and Esquiline hills becoming heavily militarised. The tower formed part of the palace where the Capocci family resided.

On 10 November 1500 the property — vineyard, houses and tower — passed to Vannozza Cattanei, and by the sixteenth century it had become an appurtenance of the monastery of Santa Lucia in Selci, as documented by the city maps of Du Pérac (1577), Tempesta (1593) and Falda (1676).

The last restoration works took place between the end of the nineteenth and the beginning of the twentieth century. Alessandro Vessella (1860–1929), conductor of the Banda di Roma, kept his studio in the tower. Since 1936 the Tower has been entrusted to the Giampaoli brothers — Pietro, Celestino and Vittorio — who made it an artistic workshop.

The Spaces

The Spaces
of the Tower

01

The Workshop

The workshop is the beating heart of production, where innovation and tradition meet. Every tool tells of centuries of craftsmanship handed down from one generation to the next.

02

The Presses

The presses are essential tools for working materials, delivering precision and force at every stage of the creative process and of fine art printing.

03

The Foundry

The foundry is where forms come to life, through the casting and modelling of metals with ancient techniques and tools that have withstood time.

04

The Rooftop Terrace

The terrace offers a breathtaking view over the Eternal City, a privileged vantage point among the rooftops of Rome where millennial history meets the present day.

Techniques

The Crafts

Burin Engraving
01

Burin Engraving

Graphic engraving is a linear form of engraving, of medium to minimal depth and usually with a polished line. It serves a range of purposes: engraving plaques, awards and jewellery, as well as printmaking (etchings, woodcuts and so on).

The burin is the tool that makes the engraving possible. Its earliest forerunners were the stones used by Neanderthals to score hides and wood and to shape other stones. Over the centuries, the discovery and use of different metals led from stone to tungsten carbide.

Direct Intaglio Engraving
02

Direct Intaglio Engraving

To produce coins, decorations, stamps and seals in series — such as rings bearing heraldic or administrative coats of arms — the die is engraved with the design in negative, so that once impressed the result appears in positive.

Repoussé and Chasing
03

Repoussé and Chasing

Repoussé and chasing are metalworking techniques that create reliefs and decorations on metal sheets through pressure and manual finishing with specialised tools.